Nagahara Full Concert flute for sale

UPDATE Dec 20, 2016: The flute has been sold!

I am selling my beloved Nagahara Full Concert model flute that I've had since 2005. This flute and I have recorded 4 full-length CDs (and many smaller recording projects) and performed many concerts all over the United States together. I am the first and only owner. I picked out the 14k gold head joint made by Kanichi Nagahara at the Nagahara headquarters near Boston. This flute has been loved and it has served me very well. I am so sad to part with this beautiful instrument but I must for financial reasons.

Right now, I'm hoping for a local (San Francisco Bay Area) buyer but I will consider any serious offers in the USA.

This flute is perfect for solo playing. It projects beautifully over an orchestra and I would keep it for playing concerti if I could afford to. I have had much luck playing it in chamber music settings and it blends really well with other flutes and woodwinds too. There's a reason why Nagahara Flutes have such a solid reputation. The mechanism is the absolute best. Kanichi Nagahara is one of the best headjoint makers in the world. I hope someone else can give it a good home and perform many more concerts with it. 

More details:

  • Price: $16,000 (A new flute with the same specifications, made in 2016, would cost $22,720)
  • Nagahara Full Concert model flute
  • Serial #449
  • 0.950 silver body with 14k gold head joint ("DA" cut, I think).
  • open hole (French style) keys
  • Custom C# touch piece (made by Nagahara)
  • soldered tone holes
  • pointed key arms
  • A=442
  • off-set G
  • C# trill key
  • D# roller
  • low B foot with gizmo key
  • Comes with original case and case cover in good condition.
  • Bonus: Includes additional custom-made locking double case made by Wiseman Cases which will fit this Nagahara Full Concert flute plus a metal piccolo (I never used this as a double case with piccolo so please try it out w/ your piccolo to confirm.).

The flute is in excellent mechanical/playing condition and there are no dents. Overhauled by Nagahara Flutes in 2015. There are very minor cosmetic scratches that do not effect the sound/mechanism and they are not noticeable unless you are looking for them. There is one section of the body with stubborn tarnish.  

Please contact me at flutemusic@gmail.com if interested.

DIY flute key modification

Different C# touch-piece key thing made by Nagahara.

Different C# touch-piece key thing made by Nagahara.

squishy left index finger rest made from a mechanical pencil gel cushion and blue painters' tape.

squishy left index finger rest made from a mechanical pencil gel cushion and blue painters' tape.

Cork plug in my E key. Silicone plugs work too. I just prefer cork.

Cork plug in my E key. Silicone plugs work too. I just prefer cork.

Not every flute or mechanism is the right size/shape for every hand/body. 

On my main flute (the Nagahara Full Concert) I have one permanent modification and a couple that I add now and then: 

After using a plastic "C# key extension" made by Brannen for about an entire year (and having to replace them all the time - at $40 a pop! - because they were made to fit Brannen and not Nagahara) I was still unsure if I wanted to make a permanent change to my flute so I asked my local flute repair wonder-woman Lori Lee to make me a removable but more sturdy metal extension. Lori's contraption worked very well for a while but I finally decided to make a permanent change. I requested a different C# key shape from Nagahara and they were able to replace the old C# very easily. I must not have been the only person to request this modification. The price of the key replacement was LESS than what I spent on replacing the plastic Brannen extensions! In the future, I would make my own temporary C# key extension out of buttons (see below for photos) and save some $ while I decide whether I need to make it permanent.

I found that my high register technique and comfort in my left hand improves a lot when I can bulk up the tube where my left hand touches the flute body. I made a left hand index finger/hand rest by pulling rubbery pencil grips off some mechanical pencils and cutting them lengthwise. The beauty with this material is that it keeps its shape and will fit on a C flute without leaving any marks on the silver. I usually put a piece of masking or painters tape on top of it because the rubber is too tacky sometimes. Some people use a piece of adhesive moleskin padding instead and that works well too but I found that I needed to replace it much more often because it will eventually fall apart or get dirty. On my Sankyo Kingma system flute, I use a piece of plastic flexible tubing I bought from the hardware store instead (see additional photos below).

In my right hand, I usually place a cork plug in my E key because my ring finger naturally wants to drift closer to my middle finger and I have to make an extra effort to cover the hole otherwise. 

Experiments with my new Sankyo Kingma System flute: 

I glued two buttons to each other with glue. The bottom button is taped to the key with double-sided foam tape. This is what I would suggest as a DIY C# key modification.

I glued two buttons to each other with glue. The bottom button is taped to the key with double-sided foam tape. This is what I would suggest as a DIY C# key modification.

Another view of the left index finger/hand rest made with flexible plastic tube that I cut in a hurry with a pair of scissors.

Another view of the left index finger/hand rest made with flexible plastic tube that I cut in a hurry with a pair of scissors.

I had to remove the buttons on this flute in order to actually use all the extra Kingma system keys but here's another view of the buttons. Way cheaper than the plastic Brannen C# extension. 

I had to remove the buttons on this flute in order to actually use all the extra Kingma system keys but here's another view of the buttons. Way cheaper than the plastic Brannen C# extension. 

I use the same plastic tubing on alto and bass flutes but it's not to bulk up the left hand area, it's just for a bit better traction. On these larger instruments, I also use a piece of adhesive moleskin pad where my right thumb touches the flute for comfort.

the plastic tube cut to fit around my Trevor James bass flute for better traction with my left hand

the plastic tube cut to fit around my Trevor James bass flute for better traction with my left hand

another view of the plastic tube part on my bass flute

another view of the plastic tube part on my bass flute

moleskin pad on my bass flute

moleskin pad on my bass flute


For some flutists, an offset G is not the ideal setup. I told myself that I would go back to an inline G on my next flute. But my next flute ended up being a Kingma System Sankyo so an inline G is not possible.  

There is no hard and fast rule about who should have an inline or offset G. Some say that the off-set G is more ergonomic - it might be more ergonomic for some people, but NOT EVERYONE. Those with short fingers should give a flute with an inline G a serious audition (over several days) with fast technical passages in the high register. I've seen/heard those with really long fingers play very well on inline and offset G flutes. I've also seen/heard those with short fingers play very well on both types. Play the flute that works best for you, keep an open mind/ear, and stay aware of your body so that when your hands give you hints that something is not working well, you can make the necessary changes.

One reason that some (especially flute repair pros) might favor the offset G: it's easier to maintain and work on since there's less going on in the main rod. Because of this, I think it's probably easier to manufacture student model flutes with the offset G. I'm speculating that this is why most new student model flutes are offset these days, not because it's more ergonomic than inline G flutes. If anyone has a good explanation other than it's more ergonomic (because I do not buy that reasoning) please let me know!

If I did not play so much contemporary music, I would get a closed-hole or plateau style flute - in which case, it's not as important whether the flute in in-line or offset.